Collections Spotlight

Research on the permanent collection at the Hermitage is an exciting, ongoing process. This section of our website will feature objects from the world-class Sloane Collection on a monthly basis. If you have any further questions about the artwork seen here or about items in the collection, please contact Lauren Northup, Curator of Collections at ln@thfm.org.

Breasting the Winds by Douglas Volk

Breasting the Winds by Douglas Volk  

Douglas Volk
Breasting the Winds
Oil on canvas
52.5" x 41.5"
1926
Click on image to enlarge

President Abraham Lincoln’s birthday may not be a significant event for some people, but for the staff at the Hermitage it is an important celebration. You see, we live with Lincoln every day. Each morning as we climb the stairs to our offices we pass under Douglas Volk’s dramatic portrait of Lincoln entitled Breasting the Winds. It is perhaps the finest of its kind in the country.

Douglas Volk (1856-1935) was a friend of Mrs. Florence Sloane and visited the Hermitage often. Correspondence from the artist, preserved in our archives, indicates that his relationship with Mrs. Sloane was familiar and warm; she was an ardent supporter of his work and ultimately added ten of his paintings to her already impressive collection.

Volk is best known for his work featuring Abraham Lincoln, and his connection to the former President is an interesting one. Douglas Volk’s father, sculptor Leonard W. Volk (1828 -1895), famously cast Lincoln’s face in plaster in 1860. The plaster cast was the mold for the first of two “life masks” made of the President (the second, by Clark Mills, was done in 1865). Leonard Volk’s reminisces of his time spent with Lincoln depict a robust, convivial man who was uninterested in discussing politics. According to Volk, "he would talk almost unceasingly, telling some of the funniest and most laughable of stories, but he talked little of politics or religion during those sittings. He said: 'I am bored nearly every time I sit down to a public dining-table by someone pitching into me, on politics.'"

Young Douglas Volk must have been regaled with tales of Abraham Lincoln, and based on the artwork he produced later in life, those stories left an indelible mark. According to a letter from Volk in the Hermitage archives, Breasting the Winds depicts a scene from his father’s reminisces: “I saw him, Lincoln, taking immense strides with carpet bag and umbrella in his hand, his body careened forward apparently over the ballance like the leaning tower of Pisa, moving something like a hurricane across the rough stubble field." Douglas Volk painted Breasting the Winds in 1927, some 62 years after the President was assassinated, using his father’s life mask as a model. The painting remains at the Hermitage today as a powerful symbol of Volk’s paternal love and patriotic devotion.

 

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