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Artistic Differences:
2nd Annual Hermitage Studio Artist Exhibition
November 7th - 23rd, 2008
Free Public Opening Reception:
November 6th, 6:00 - 8:00 p.m.
Reception held in the Central Hall of the Museum
The Hermitage opened the doors of the Gardener's Cottage, located adjacent to the Hermitage Visual Arts School, in July of 2007 to the first group of participants of the program. Each year, six artists are juried into the program based on portfolio submissions, professional commitment, and interest in participating in the exchange of artistic ideas.
The artists will also hold a special Open House event in connection with the exhibit on Sunday, November 23rd from 1:00 - 5:00 p.m. at the Cottage studios. The Open House is a wonderful opportunity to purchase unique gifts for the holidays. |
Participating Artists: |
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Amanda Page Stephens:
Accidental stains constantly inspire my creative side. Pigments from tea, wine, coffee, and flowers appear in my work consistently. An assortment of found objects like puzzle pieces, obscure street metal, and fabrics show up on my canvas too. I orchestrate these accidents by directing where the spill or burn goes. In the end a search for answers and relaxation gives my work its foundation. |
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Anne Iott:
I continue my practice of making art, operating in faith that if I keep working my skills will support my spirit. For me, painting has always been a waking meditation, a practice of contradictory elements: the known and unknown; familiar and suspenseful. |
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Helena Navarro:
My work incorporates designs reminiscent of the past with modern day functionality. Inspirations from travel, vintage textiles, and writings are translated into hand-dyed, vibrant color, drawn, light-hearted graphics, screen printed, bold pattern and sewn, functional objects. By merging art and design, I desire to create an aesthetic, which is both nostalgic and functional. |
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Jane Cleary:
Currently I am working on several series that explore different methods of Shibori. In my flower series, I am using a technique of wrapping hand dyed fabric around various cores and then discharging the fabric to remove the dye. In the te suji leaf series, I am focusing on the contrast between the structure of the stripes achieved in the hand pleating and wrapping of the cloth around a nylon core which is then submersed in a dye bath with the organic forms of the leaves. |
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Patricia Isenhour:
Through exploration and discovery I find painting completely engages me. Intuitively, I re-create my impressions and experiences in the world. Through observation, I have learned this location (The Hermitage) is an extraordinary sanctuary for numerous birds, and bird imagery has migrated into my paintings. In my paintings bird silhouettes have become metaphors for human relationships, interaction, and response. |
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Virginia Van Horn:
My sculpture depicts contemporary animal imagery, with the animals often acting as alter-egos, self-images or surrogates for humanity. The horse continues to be my central image; it’s the animal that represents me most. My other creatures represent different aspects of the world; the crows are outsiders and shrewd observers of the human condition, while the bats are icons of mystery. Most of my sculptures are made from ordinary, commonplace materials, some as humble as paper towels.
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Hermitage Museum & Gardens
7637 North Shore Road
Norfolk VA 23505
© 2009 Hermitage Foundation Museum. All Rights Reserved |
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